by guest writer
Roma, città aperta (Rome, Open City) opens the month dedicated to Italian director Roberto Rossellini. Being considered his first breakthrough movie, Roma, città aperta is also one of the first Neo-Realistic products. After just two years since the fascist regime had collapsed, Rossellini’s efforts in producing this film on his own were considerable. Forming a team of immense talent that included Federico Fellini as screenplay writer and Anna Magnani as Pina, the main female character, the director funded the movie from loans.
The story takes place during WWII in Rome where a group of oppressed people and community symbols decide to fight the regime. A simple yet complex depiction of war horrors, the movie impresses the viewer with its cruelty and desolating sights of ruins where the Italians lead their day-to-day existence. The cinematography combines semi-documentaristic footage, delightful long shots plus close-ups and although unlike Rossellini’s other Neo-Realistic achievements, like Paisà (1946) and Germania anno zero (1948), Roma, città perta uses professional actors beside unprofessionals, the film’s authenticity wasn’t altered. Jean Renoir considered it to be one of the most masterly productions in the history of cinema.
photo: still from the film; production credits
I remember watching Martin Scorsese’s ,,My Voyage To Italy” a few years back and I recall that almost half of the documentary was dedicated to Roberto Rossellini’s movies. You should know that with Marty you never go wrong in cinema. Between the movies presented there, Rome Open City was one of my favorites. It captured me with a magnetic force and I had to get a copy:) I can honestly say it is a unique piece of work, one that can stand as a cinema statement! Love the Renoir commentary, he knew very well what he was talking about. Thanks
Happy July to you too! xoxo
I have seen this movie years ago… I remember it was very powerful and quite sad. x
It’s on my short list. Actually, all Neo-Realistic films are. 🙂
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